Tag Archives: Book publishing

Goods or service… or both? The novel marketing blues.

Every day I play marketer and strategist for several organizations.  I navigate the social playgrounds and promote their brands through conversation management and thought leadership.  My technical savvy and chatty nature makes it easy for me to multi-task the different brands and industry audiences—creating ripples of awareness that become organic.  It also helps that I have more business experience than someone with my youthful complexion should be able to advertise.  Goods and services are easy.  There’s usually a need the brand is managing, and I assist in the strategic mapping of that need with the social brand.

Self-marketing is a little trickier.  Especially when that “self” is me.   I find that marketing a novel does not fit neatly into a good or service.  It belongs in entertainment—technically a service, although the novel itself is a “good,” which arguably may not be a need—or even a good “good.”

I’ve opted to create as many ripples of awareness as I can, and allow the organic nature of the industry to do the rest.  But where to start the ripples?  Ah, that is the question.  I’m not certain that there is any one “right” answer.  I’ve selected a few dominant sites to become active in, I’ve gifted book bloggers across the globe with copies, I’m getting out in the public locally, I’m building the most heart-stopping, pulse-pounding video book trailer of all time, and I’m committed to author interviews with various book sites.  After that, it’s up to all of you—the readers.

To begin with, I’ve had an excerpt of my novel republished at indiesnippets.com.  And my first author interview is posted on Peace Love Books—which you can find here.  I’d like to be able to say that I lost my interview virginity to PLB, however, there was this incident when I was a kid at Safety Patrol camp (don’t judge me) that involved a locked school bus and a smoke bomb.

I hope I’ve started enough ripples.  It’s a very big pond.

~uberscribbler

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The “Indie” Revolution

Going “indie” is not always about having umpty-million rejection slips from traditional publishing houses.  Artists like to keep some control over their work.   Consider musicians that self-release albums.  It’s a grass-roots alternative.  It’s about keeping artistic direction and following your dreams—on your own terms.  Choosing an independent publishing road puts you in very good company.  Mark Twain, Edgar Allan Poe, T.S. Elliot, Virginia Woolf, Walt Whitman, Deepak Chopra, Beatrix Potter, James Redfield, Benjamin Franklin, Mark Hansen and Jack Canfield are just a few of the folks that veered from conventional publishing to go “indie.” 

Some of the biggest titles ever have been published independently.  Take a look in your kitchen—or your mother’s kitchen.  Do you see “The Joy of Cooking?”  Irma Rombauer published that herself.  Leo Tolstoi indie-authored his novel, “War and Peace” into one of the greatest novels in literature—of all time!

Sitting on my desk right now is my worn and coveted copy of “The Elements of Style.”  Thanks for self-publishing that little gem, Mr. Strunk.   

This is a great technological time to gain exposure as an artist.  I, for one, am about to throw myself into the e-book explosion.  In a few short weeks my debut novel, “In a Celandine World” will be released as an e-book.  The “indie” world is fascinating and full of possibilities.  It makes me feel a little dangerous, a little invincible, a little Jason Bourne-ish.  I’m a rogue author treading out into the black-ops arm of publishing.  Yippee ki-yay mutha’—.

~uberscribbler

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ORIGIN, on the road again.

*Update 11/10 - The title, ORIGIN, has been replaced with the new title, IN A CELANDINE WORLD.

The feedback from the beta readers for, ORIGIN: Book of Truth,  has been incredible.   I knew the story, itself, might stir up some strong feelings and create some argumentative controversy—perhaps even belligerence—and I was prepared for it.   I have always understood that faith is a very personal thing and even though this book is a work of fiction, ORIGIN kicks at boundaries and challenges core and universal beliefs in religion, science and life.

The feedback has been as varied as the folks reading it.   Some wouldn’t change a single word and read it all in one sitting, while others selflessly (and painstakingly) combed through every sentence with the diligence and dedication of a 6 figure New York editor, providing detailed chapter reports for my perusal.  Fantastic!

With the culmination of this feedback tucked into a binder, I set off to have a meeting with my esteemed ‘Continuity Director‘.  We evaluated every word of suggestion and comment and quickly made notes for changes to the painfully obvious faux pas (the ones you can’t believe you didn’t see yourself) and also made notes for changes to the manuscript on what seemed to make sense for the flow.  I would like to be able to tell you that this was a precise and calculated exercise built off some elaborate literary genius, but the dirty truth is that I tend to go where my ‘gut’ leads me.

Chapter 1 has been completely re-worked (not re-written) and the subsequent 2 chapters have absorbed the overflow with a small amount of re-working as well.  The spelling, continuity, and grammar edits have been reflected throughout and I’m currently still working on verifying some research checks (I was sure I had already triple-checked these) and then I should be ready—once again.  (For real this time!)

Next order of business is the query letter re-write.  I know I’ve blogged about this before but it bears repeating.  This is not an easy task.  One might think that if you can write an entire book, what could be so difficult about one letter?  Well, it’s not just any old letter.  Literary Agents have a specific structure and flow in mind when they receive queries from authors.  However, these “wants” are as varied as the publishing industry itself.  Researching the ins and outs of writing one can leave you frustrated and fed up.  The information is, at times, completely contradictory and it’s almost impossible to know which advice is the sound advice to follow.  The truth is that you are not going to please everyone with the same standard letter.  I am beginning to believe that it is less important to study the guidelines ‘to the letter’ as it is to be professional, succinct, courteous and right to the point of your plot.  Hopefully the writing will speak for itself.  So, here we go.   

Special thanks to my beta readers; Liane, Steve F, Karyn, Josephine, Toni, Steve G, Jo & Mark.

~uberscribbler

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Filed under fiction, in a celandine world